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Desain Rumah Minimalis 2 Lantai Dan Gambar

Desain Rumah Minimalis 2 Lantai Dan Gambar - Memiliki rumah idaman adalah impian setiap keluarga. Namun saat ini, harga rumah terbilang sangat mahal karena bahan material pembuatan rumah uga mahal apalagi rumah yang berlokasi di tempat yang strategis.

Untuk rumah minimalis 2 lantai type 36 skarng ini menjadi rumah yang paling banyak diburu terutama untuk pasangan muda, disamping harga yang terbilang menengah, untuk masalah luas rumahpun dirasa cukup kerana belum memiliki banyak anak.

Banyak peminat untuk rumah minimalis 2 lantai type 36 ini dikarenakan rumah minimalis 2 lantai type 36 ini kini banyak ditawarkan oleh para developer rumah baik itu berupa hunian komplek ataupun ruang lingkup aparement. Untuk masalah lokasi pun rata-rata komplek hunian rumah minimalis 2 lantai type 36 ini dekat dengan pusat kota atau medapatkan kemudahan dalam transportasi. Sehinga rumah minimalis 2 lantai type 36 layak untuk ditinggali karena kenyamanan, privasi dan kemudahan dalam akses trasportasi.

Dalam model rumah tipe 36 standar dalam artian tidak adanya lantai tambahan. Anda dimungkinkan untk melakukan berbagai ubahan interior maupun eksterior, namun tetap mengacu pada luas area tanah dimiliki agar nantinya tidak telihat menumpuk.
Cara mudah dan efektif dalam membuat rumah minimalis 2 lantai type 36 adalah dimulai dari membuat daftar ruangan yang dibutuhkan berikut luas yang diinginkan. Mulai dengan ruangan yang utama terlebih dahulu seperti kamar tidur, kamar mandi, ruang tamu dan ruangan lainnya yang dianggap menjadi kebuthan anda dan keluarga. Kemudian hitung luas masing-masing ruangan, lalu susun posisi ruangannya.

Selanjutnya adalah dengan mendesain dan mengatur aksesoris atapun perabotan apa yang hendak anda pakai dalam ruangan tersebut, karena rumah minimalis 2 lantai type 36 terbatas dengan luas bangunan, disarankan menggunakana yang mnimalis agar dapat menampilkan kesan luas.

Jangan lupa untuk membuat ventilasi dan sirkulasi udaran yang cukup dimaksudkan agara setiap penghuni mendapatkan kenyamanan dan kesehatan. Dan disrankan untuk posisi ruangan yang basah pada rumah minimalis 2 lantai type 36, seperti dapur, kamar mandi, tempat mencuci, dibuat secara berdekatan atau berada dalam satu jalur untuk memudahkan pemasangan instalasi air bersih dan air kotor. pemakaian partisi-partisi yang bisa dibongkar pasang merupakan alternatif terbaik. Namun tidak perlu khawatir, pemilihan interior ruangan dan warna cat yang tepat akan sangat membantu.
Jangan lupa untuk membuat aliran buangan air kotor ke septic tank lurus tanpa berbelok pada rumah minimalis 2 lantai type 36.

Berikut in Ini beberapa contoh Gambar Desain Rumah Minimalis tampilan muka untuk rumah minimalis 2 lantai type 36 :





Demikianlah informasi kali ini, tentang Desain Rumah Minimalis 2 Lantai, Semoga bermanfaat.

DESAIN KAMAR TIDUR ANAK MINIMALIS | GAMBAR KAMAR TIDUR ANAK MODERN

DESAIN KAMAR TIDUR ANAK MINIMALIS | GAMBAR KAMAR TIDUR ANAK MODERN - Kamar tidur anak menjadi penting mengingat anak akan banyak menghabiskan waktunya belajar, melewati masa tumbuh kembangnya dalam kamar tidurnya. Kamar ini dapat lebih menarik jika disesuaikan dengan karakter si anak.


Langkah sederhana untuk merencanakan interior ruang tidur anak adalah sebagai berikut:
1. Tanyakan apa saja barang yang masih akan digunakan. Sebisa mungkin, barang-barang tersebut tetap diwadahi karena itu adalah bagian dari “hidup” sang anak yang ingin selalu dekat dengan dirinya.
2. Ambillah beberapa majalah anak. Tengok situs Web yang sering dia kunjungi. Lihat akun Facebook atau Twitter miliknya. Lihat juga koleksi CD musik atau film yang disukainya. Tujuannya untuk mengetahui gaya hidup anak. Dan sini baru kita bisa mulai menetapkan gaya kamar tidur yang paling nyaman untuk anak tersebut.
3. Langkah selanjutnya adalah membuat konsep pengembangan ruang secara vertikal. Kita dapat memanfaatkan ketinggian sekitar 1,2 m dari plafon untuk aktivitas bagian atas, sehingga ruang ini akan memiliki dua aktivitas atau double simultaneous activities dalam sebuah ruang.
4. Ruang bagian atas dapat dimanfaatkan untuk aktivitas yang lebih privat. Di sana bisa diletakkan ranjang, tempat untuk membaca santai, atau mendengarkan musik.
5. Ruang bagian bawah bisa dimanfaatkan untuk kegiatan yang jauh lebih aktif. Fungsi belajar, bermain musik, bisa diletakkan di sini. Menonton TV bisa ditempatkan di atas atau bawah tergantung seberapa aktif si anak memanfaatkan TV-nya.
6. Ruang tangga biasanya adalah ruang terbuang. Di kamar tidur ini, anak tangga bisa dimanfaatkan sekaligus sebagai tempat menyimpan barangbarang, seperti CD, kamera, buku-buku, dan lain-lain.
7. Terakhir, adalah membuat finishing tampilan kamar tidur anak ini. Kita bisa menggunakan gambar-gambar tokoh idola sang anak sebagai ornamen tempel pada pintu lemari. Untuk warna ruang, ambillah dari warna-warna yang dia sukai. Anda tidak harus mengikuti secara kaku teori warna untuk kamar tidur mungil, sepanjang itu nyaman bagi anak dan membuat dia tetap produktif.
Baca Juga :
Desain Rumah Minimalis   
Konsep Desain Dapur Mungil Sederhana

Vernacular architecture

Vernacular architecture is a term used to categorize methods of construction which use locally available resources and traditions to address local needs and circumstances. Vernacular architecture tends to evolve over time to reflect the environmental, cultural and historical context in which it exists.
It can be contrasted against polite architecture which is characterised by stylistic elements of design intentionally incorporated for aesthetic purposes which go beyond a building's functional requirements.

The building knowledge in vernacular architecture is often transported by local traditions and is thus based largely - but not only - upon knowledge achieved by trial and error and handed down through the generations, in contrast to the geometrical and physical calculations that underlie architecture planned by architects. This of course does not prevent architects from using vernacular architecture in their designs or from being firmly based in the vernacular architecture of their regions.
The term vernacular is derived from the Latin vernaculus, meaning "domestic, native, indigenous"; from verna, meaning "native slave" or "home-born slave". The word probably derives from an older Etruscan word.
In linguistics, vernacular refers to language use particular to a time, place or group. In architecture, it refers to that type of architecture which is indigenous to a specific time or place (not imported or copied from elsewhere). It is most often applied to residential buildings.
Definitions
Ronald Brunskill has defined the ultimate in vernacular architecture as:
...a building designed by an amateur without any training in design; the individual will have been guided by a series of conventions built up in his locality, paying little attention to what may be fashionable. The function of the building would be the dominant factor, aesthetic considerations, though present to some small degree, being quite minimal. Local materials would be used as a matter of course, other materials being chosen and imported quite exceptionally.
The term is not to be confused with so-called "traditional" architecture, though there are links between the two. Traditional architecture can also include buildings which bear elements of polite design: temples and palaces, for example, which normally would not be included under the rubric of "vernacular." In architectural terms, 'the vernacular' can be contrasted with 'the polite', which is characterised by stylistic elements of design intentionally incorporated by a professional architect for aesthetic purposes which go beyond a building's functional requirements. Between the extremes of the wholly vernacular and the completely polite, examples occur which have some vernacular and some polite content, often making the differences between the vernacular and the polite a matter of degree.
The Encyclopedia of Vernacular Architecture of the World defines vernacular architecture as:
All forms of vernacular architecture are built to meet specific needs, accommodating the values, economies and ways of life of the cultures that produce them.
Vernacular and the architect
Architecture designed by professional architects is usually not considered to be vernacular. Indeed, it can be argued that the very process of consciously designing a building makes it not vernacular. Paul Oliver, in his book Dwellings, states: "...it is contended that 'popular architecture' designed by professional architects or commercial builders for popular use, does not come within the compass of the vernacular. "Frank Lloyd Wright described vernacular architecture as "Folk building growing in response to actual needs, fitted into environment by people who knew no better than to fit them with native feeling". Many modern architects have studied vernacular buildings and claimed to draw inspiration from them, including aspects of the vernacular in their designs. In 1946, the Egyptian architect Hassan Fathy was appointed to design the town of New Gourna near Luxor. Having studied traditional Nubian settlements and technologies, he incorporated the traditional mud brick vaults of the Nubian settlements in his designs. The experiment failed, due to a variety of social and economic reasons, but is the first recorded attempt by an architect to address the social and environmental requirements of building users by adopting the methods and forms of the vernacular.
In 1964 the exhibition Architecture Without Architects was put on at the Museum of Modern Art, New York by Bernard Rudofsky. Accompanied by a book of the same title, including black-and-white photography of vernacular buildings around the world, the exhibition was extremely popular. It was Rudofsky who first made use of the term vernacular in an architectural context, and brought the concept into the eye of the public and of mainstream architecture: "For want of a generic label we shall call it vernacular, anonymous, spontaneous, indigenous, rural, as the case may be. "Since the emergence of the term in the 1970s, vernacular considerations have played an increasing part in architectural designs, although individual architects had widely varying opinions of the merits of the vernacular.
Sri Lankan architect Geoffrey Bawa is considered the pioneer of regional modernism in South Asia. Along with him, modern proponents of the use of the vernacular in architectural design include Charles Correa, a well known Indian architect; Muzharul Islam and Bashirul Haq, internationally known Bangladeshi architects; Balkrishna Doshi, another Indian, who established the Vastu-Shilpa Foundation in Ahmedabad to research the vernacular architecture of the region; and Sheila Sri Prakash who has used rural Indian architecture as an inspiration for innovations in environmental and socio-economically sustainable design and planning. The Dutch architect Aldo van Eyck was also a proponent of vernacular architecture. Oliver claims that:
As yet there is no clearly defined and specialized discipline for the study of dwellings or the larger compass of vernacular architecture.

Jakarta not friendly for disabled: Survey

A survey has proven the obvious, that Jakarta is not a friendly place for the disabled as a majority of buildings and public places in the city do not provide adequate facilities for them.

The survey -- jointly conducted by the Indonesian Disabled Women's Association (HWPCI), the Indonesian Paraplegia Foundation (Yamagita), Trisakti University and the Jakarta chapter of the Indonesian Architectural Association (IAI) -- revealed none of the 36 buildings, used as samples in the January survey, were accessible to nearly 10,000 disabled people in the capital.

With samples covering bus stations, hospitals, the city's five mayoralty offices, apartments, universities, mosques, churches, entertainment centers, commercial places and railway stations, the survey made it clear that bus stations, universities and worship houses had the worst record. However, Gambir railway station in Central Jakarta was recognized as the best in providing facilities for the disabled.

No significant action has been taken by the authority and private sectors since former president Abdurrahman ""Gus Dur"" Wahid launched a national campaign for accessibility for the disabled on June 4, 2000.

The main reason for not providing the facilities was simply economics.

""When we questioned building management officials why they failed to fulfill the technical requirement (for the disabled), they claimed it was because very few disabled visited their buildings, and was therefore not economically viable,"" said Poppy Puspitasari of the Trisakti University in a seminar on Tuesday.

Yamagita's deputy chairman Ibrahim Encep Kasroni was pessimistic that such a campaign ""would get a positive response from local authorities in the near future"".

Encep said a decree from the ministry of public works on technical requirements for accessibility in public buildings and environment issued in 1998 states that a region needs to issue a bylaw to enact the campaign.

However, no specific bylaw has been enacted by the Jakarta Administration. One bylaw, No. 7/1991 on buildings in the city only states that ""the governor can stipulate requirements about instruments and equipment for the disabled.""

The existing gubernatorial decree issued in 1981 failed to support the bylaw as it does not contain punishment for those violating the requirement. It also only outlines basic technical requirements for accessibility.

Facilities for the physically challenged, as mentioned in the decree, include ramps to enter buildings, special elevators, railing, special toilets, ramps to enter buses, special garages and other public transportation and special telephone booths.

Facilities for blind people include special texture and bright color for dangerous areas and elevator buttons with Braille. While for the deaf, facilities should include special hearing aids, radio and television text and the use of acoustic materials.

By : Ir. Popi Puspitasari, MT